Daniel T. Richards

Daniel T. Richards

Digital Strategist & Rhetorician

Not Everything Is an Argument

Rectangles on a blue background. An excellent demonstration of the shape tool in Photoshop. Yet this painting sells for hundreds of dollars. It may be fine decoration for a Nieman Marcus, but it’s not art.

Indignant Ian: How dare you, man! Who are you to say what is and isn’t art?

A thinking man, that’s who.

It’s a “habit” of mine to use my mind for the purposes of definition and categorization. You may not like my output, and I’m open to hearing your argument, but I’m willing, able, and ready to make a judgement call in this case. Those shapes aren’t art.

One thing I know for sure is that art is something. It’s not everything. (Then it would be nothing.) Art has characteristics, attributes, features. Art has a definition.

Likewise, something I hear all the time when I talk about rhetoric is that “everything is an argument.” ::sigh:: No, it’s not.

Your Wifi key is not an argument. The Florida Keyes are not an argument. Alicia Keyes is not an argument.  Arguments, like art, are something. I’ve covered what they are in previous posts, and I’ll continue to do so. But I want to take some time to discuss other kinds of discourse. What you can engage in if you’re not making an argument.

In composition studies, there are traditionally four categories of discourse:

  • Exposition
  • Description
  • Narration
  • Argument (not covered in this post)

Let’s look at the characteristics and distinguishing features of each:

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Description v. Prescription: Why Texts Drive You Crazy

Everyone has received one of those texts. The kind that makes you tilt your head or curse. Does he really hate your new shoes? Was he teasing you? WHAT IS HE TRYING TO SAY?

Meaning and intention rarely coalesce in written communication, and the shorter the text, the more likely you’ll misunderstand. Perhaps you read a message as “angry” when the sender was being flirtatious. Or maybe you responded to your boss with a “LOL” when she wanted your two weeks’ notice.

The problem with short, written communication like text messages is that people usually confuse description and prescription.

The basic differences between the two kinds of communication are obvious. Description focuses on what is:

Darren: Your sweater is made of wool.

Prescription focuses on what should be:

Paula: All sweaters ought to be made of wool.

But look what happens when description is confused with prescription.

Darren [to his girlfriend]: You got a haircut.
Paula: You don’t like it?
Darren: I was just making an observation!
Paula: Sounded like a judgement to me…

Oy. We’ve all been in Darren’s place—and Paula’s. Being misunderstood is no fun. And that brings us to texting. Watch what happens here:

Pierre [text]: Yo. How RU?
Daphne [text]: Super tired.
Pierre [text]: U don’t want 2 talk? (confusing description with prescription)
Daphne [text]: No! U asked how I was… (now a bit angry from being misunderstood)
Pierre [text]: LOL (not perceiving the anger)
Daphne [text]: Whatever. G’night.

I admit the conversation is a bit contrived. (Who really says “How RU?”) But it demonstrates a common issue that people experience every day—especially as the use of instant messaging and texting increases.

When emotional cues are missing, it’s easy to confuse description and prescription. That’s because statements about facts are also statements about values—but in specific contexts. This is important to keep in mind. Not every factual statement is a value statement in every conversation. To a clothing designer, “That sweater is made of wool,” might be an indictment of their work, but to your girlfriend, it should stand as an observation.

Luckily we can avoid confusing description and prescription by following a few basic guidelines for communication:

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