Tens of thousands of years before the invention of Photoshop, ink, or even paper, humans with whom you or I would have seemingly little in common cautiously entered what we now call Chauvet Cave in the Ardèche valley in Southern France. The picture above shows one of the hundreds of cave paintings from Chauvet—horses running with bison and rhinos. Radiocarbon dating estimates the origin of some of the oldest images around 30,000 B.C. with paintings developing over the next 5,000 years.
The Chauvet paintings demonstrate a remarkable understanding of compositional technique. Line, spacing, relationship, color, etc. I imagine the artist observing the ritual of animal migration and finding something fascinating, something important about the events. He or she took some “interest” in the animals. Enough, in fact, to create the painting.
The artist could not recreate the occurrence exactly as it happened. Even if he had the modern convenience of an iPhone camera, he still had to choose which part of the event to frame, how much to film, where to zoom, etc. He could only share the massive event by oral, aural, or visual “imaging.”
He had to recreate reality. Or not. Let’s discuss…